Ultramarine Fuchsia Watercolor Paint, Half-Pan, New!

$13.85
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Ultramarine Fuchsia Watercolor Paint, Half Pan

Greenleaf & Blueberry Professional Handmade Watercolors

 

 

Color Overview

 Color Name Ultramarine Fuchsia
Pigment Ultramarine Fuchsia
Pigment Index No. PV15
Chemical Formula

Na8-x[(Al,Si)12]O24(Sy)2

Series No. Series 3
Lightfastness Rating 5/5 Very Lightfast
Toxicity 1/5 No Known Toxicity
Hue Purple Category
Chroma 4/5 Moderate Chroma
Transparency 3/5 Partialaly Transparent
Pigment Type Synthetic Inorganic
Granulation Yes
Value Range 3/5 Moderate Range
Tinting Strength 4/5 Moderate-High Strength
Staining No Staining
Flocculation 2/5 Dispersing
Variegation Some

 

Swatches 

Color behavior assessments and descriptions are of course somewhat subjective, your perception being determined by your watercoloring experience.  We offer this information with the intent of giving you an accurate idea of how a color will look and handle so that you can determine if it is a good fit for your palette and painting practice.

SCROLL DOWN FOR INFORMATION ABOUT HOW TO REACH EACH TYPE OF SWATCH

Combination Swatch  
Gravity Wash Swatch
Value Scale Swatch


Color Description

Our Ultramarine Fuchsia (PV15) is a soft, beautiful fuchsia (warm purple).  It is semi opaque and looks as if it would have a wide value range, but the darkest concentrations are difficult to access without much layering.  Additionally, it has a glorious granulation and very subtle variegation to it, making it a useful modern synthetic pigment.  

For those familiar with Ultramarine pigments, you will feel at home working with this color.  It spreads smoothly, granulates predictably, and is wonderfully buildable.

This color can be used as a soft fuchsia when texture is desired.  Try it for reflected dawn light on snow, a violet pink blush on clouds, and to add interest to floral paintings. 

Each of the above swatches have been painted onto Arches Cold Pressed 140 lb. watercolor paper.


Color Story

The significance for the art world of the discovery of Ultramarine Blue pigment cannot be understated.  Happily, it can also morph into other stable variations that express a variety of other hues, such as green, red, and violet.  This pigment is one such derivative.

 

Swatch Descriptions

 
Combination Swatch

This swatch demonstrates:

  • Opacity: Compare the two black lines, the top lines is drawn over the swatch and the bottom one is under the swatch.  The more the bottom line has disappeared, the more opaque the color.

  • Staining: The white line at the bottom of the swatch was lifted out.  The whiter the line, the less staining the color.

  • Value Range:  Color is painted from most concentrated (at left) to least concentrated at right.  The closer a color is to black at most concentrated, the wider its value range.  (All watercolors painted onto white paper can be diluted to complete transparency, or white.)

 

Gravity Wash Swatch

A Gravity Wash Swatch is made by pre-wetting the paper, then holding it vertically at an angle, and applying paint from left to right at the very top of the wetted area.

This swatch demonstrates:

  • Granulation: Granulation display is influenced both by pigment particle size and behavior determined by chemical composition.  Granulating colors are recognizable in Gravity Washes through their patterned and textured appearance.

  • Flocculation:  Flocculation is the tendency for a color's pigment particles to cling together or be attracted to one another.  Dispersion is the opposite.  A flocculating color is recognizable in a Gravity Wash by a "jellyfish" appearance with the downward movement of the pigment resembling tentacles, while a dispersing color more resembles a distant rainstorm, as is the case with French Red Ochre.

  • Variegation:  Variegation is the tendency for a color's pigment to express itself as more than one hue, usually as a result of a range of pigment particle sizes.  In a Gravity Wash, pigment particles have an opportunity to settle by size a bit, with the smaller particles getting carried further to the edges of where the color travels.  If you only notice one hue in a gravity wash, then it is likely not a variegating color.

  • Tinting Strength:  It can be difficult to determine tinting strength in controlled color swatches.  Because Gravity Washes are less controlled, you can get a more unvarnished look at a color, enabling you to assess characteristics you usually only catch glimpses of when painting.  Colors that appear very dark, intense, and that cover more of the wash area have a more intense tinting strength, while colors that appear more faint and taper out before reaching the bottom of the swatch have a weaker tinting strength.   We have rated French Red Ochre as moderate tinting strength (3/5), though it can be argued that it is closer to a 4.  

 

Value Scale Swatch

This swatch is painted in layers, starting with the lightest/least concentrated, and letting each layer dry before the next more concentrated layer is added.  The leftmost and most concentrated layer is applied at a maximum concentration, which is generally not how watercolors are most often used, however this swatch is designed to display the full value range of a color.

This swatch demonstrates:

Value Range:  Value range is a colors range from darkest (most concentrated) to lightest (least concentrated/most diluted).  Value range is arguably one of the most important aspects of any watercolor.  This type of swatch allows you to hold up a magnifying glass to that characteristic.  

  

Our Pans

We work with standard white plastic Half-Pans.  They are therefore durable and lightweight.  They also fit into most metal bijoux boxes and watercolor travel boxes.

Size Measurements: 2cm x 1.7cm x 1cm

Half-Pans are a great choice for artists who are going for a minimalist approach and tend to seek all of their supplies in tiny lightweight versions and for artists who love to carry as many colors as possible while still managing space and weight.  They are also a nice way to try out a color that is new to you.

 

More Information

 

  

Other Items You Might Find Useful For Watercolor Painting

12-Color Enamel Bijoux Box - Empty
 
24-Color Enamel Bijoux Box - Empty
Medium Travel Watercolor Tin (Altoid's Size) - Empty
Watercolor Mister With Clip
Enamel Mixing Palette - Oval
Italian Yellow Ochre - Half-Pan
Da Vinci Cosmotop Spin Watercolor Travel Brush - Round - Various Sizes

 

 

Please be aware that every monitor and screen displays colors a little differently.  We have done our very best to show our colors as they appear in person and on paper.

 

**Please Note**: These colors are NOT intended for children. Half-Pans are small and therefore a choking hazard. Please use only as intended.


All images and descriptions are copyrighted by Greenleaf & Blueberry®
© Greenleaf & Blueberry LLC 2011-2025


www.greenleafblueberry.com

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